The wide royal blue door is distinctive of a certain Parisian trait which can be assimilated with a voracious joie de vivre, containing in itself a profound respect for the tradition as well as a versatile step towards the "now" (why looking towards the future when the present can be so captivating). Set in a neo-urban epicurean valley of the senses, no wonder why Septime - a trendy restaurant in the up and coming 11th arrondissement of Paris - is right in the spotlight these days. I didn't know what exactly to expect as I inspectioned their website before my visit earlier this week; on the desktop, only a logo and an address provided. Poorly described, I thought. Well, I had to change idea: on the contrary, I was in for a treat, because the food, the drinks and the ambiance truly spoke for themselves.
As I entered, I was warmly welcomed by wine expert and restaurant associé Thèo Pourriat, who presented us with a very small list of truly exquisite wines. He emphasized on the personal relationships developed with the vignerons (wine growers), the identification of which I was already introduced to on the other side of the river, at the Ile Saint Louis celebrated cheesemonger. A real fan on fine wines but totally against getting dizzy in the middle of the working day, I also opted for an infusion fait maison. In Septime there's an actual barman dedicated to the making of these restoring potions made to accompany the daily proposed menus. For me, it was orange, clementine, tarragon, pear and Acacia honey, all raw in a boiling pot.
The lunch menu (uncommonly changing on a daily basis), is based on chef Bertrand Grébaut's inventiveness of the moment. I got lucky with a sumptuous Utah Beach (yes, the one of the Normandy D-day) clums soup with gourds and an undescribably refined Xeres vinegar aftertaste. The daikon - oh I dig those radishes - was deliciously accompanied with mushrooms de la Maure along with exquisite black truffles from the Perigord area (duck and goose products paradise) which I shall absolutely visit soon.
Having recently taken part in the Cabinet de Curiosités of Thomas Herber, with showcases of visual artists, designers and chefs indeed, Grébaut now wants to focus entirely on his Parisian food scene, where he gives work and inspiration to an international, young and food-talented crowd. "There's an Argentinian, an American and a British, but we always speak français in the kitchen, that's mandatory" - explains Grébaut, a patriot at heart as all French admirably are, as I ask him about his producers, his rare food findings (like the radicchio from Treviso in the middle of Paris, a true gem) and his sources of creativity: "Sometimes it's the chromatic scale of a dish that grabs my attention first, but then it's the work on the affiliations to make it enjoyable that I have fun with". And that was, and surely will be again, a truly enjoyable experience.
With love and tarragon,